04.27.04 - 9:09 a.m. The plant service is killing my plants. One would think that a plant service would be able to keep my fabulous porthos, which I've had for years and which was huge and lush, which I'd propagated successfully alive, but apparently not. I think that they barely water things because they don't want to have to go get more water for them. This is very frustrating to me, since I'm not sure what else I can do and have too many other things on my mind at the moment to worry too much about it. I think, though, that I'll have a plant weekend this summer and go and take cuttings of my mom's houseplants, repot my spider plant and my ivy and my orchids, and the like. I don't have time for it, at the moment. I would love to get a really enormous jade plant, one old enough that the soft green stems have become woody and the plant has taken on an architectural quality. My grandmother's (and by extension, my great-great Uncle Harry's) Christmas cactus is like that: lush and woody and sculptural in feel. NPR has fund-raising this week, so I am reduced to listening to the collection of CDs I have at work. I suppose I could listen to commercial radio, but that would really suck. So, at the moment, Wilco and Billy Bragg singing "Feed of Man," a fragmentary lyric of Woody Guthrie's, to which they wrote music. And good music, too, it has a good driving underrhythm and fine twang. The lyrics were not written in stanzas, but it's easier to read in stanzas, so: If you Beat up butcher and You bleed a man: Yeah, there's a good bit there that's perfectly referential and that catches you when you hear it while not thinking. Reading it, you can catch the gist too, but it's particularly effective as a song, much more so than as some written document. Songs have different logics, different languages, and things that sound trite when spoken take on a different tenor when wailed, sung, or sobbed. I also really like the song "Stetson Kennedy" (We're gonna dump Mathers-DuPont in the salty-sea. Le sigh. And now, I'm listening to Remember the Mountain Bed, which is wholly different than either of the other songs. I've probably ranted about it before, and I suspect I will repeat myself and rant about it again in the future. It works as poetry, as much as it works as a song, and the lazy guitar, the almost spoken-song are again perfect for the lyrics. I'm listening to it again and again and it makes me want to cry. It's a spring-in-autumn song, if any of that makes sense, a late-summer song, but a wise one: it's not about ripeness, but the strength of beginnings seen through the lens of history. And, well, it's definitely about sex, but not in any un-wholesome or unnatural way. It's not I-want-your-body sex, it's just... well, so many things. Lovely: Do you still sing of the mountain bed we made of limbs and leaves:-- way too lovely. I wanna marry Woody Guthrie.
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I am not a Marxist.
-- Karl Marx Dei remi facemmo ali al fol volo. -- Dante Inferno XXVI.125 Intelligent Life Apollos Azra'il Cody Migali The Psycho Salam Pax Silver Wolf she feeds the wound within her veins; she is eaten by a secret flame. -- Virgil, Aeneid, IV By your stumbling, the world is perfected. -- Sri Aurobindo |